favedump:

Mr. Rogers had an intentional manner of speaking to children, which his writers called “Freddish”. There were nine steps for translating into Freddish: 

1. “State the idea you wish to express as clearly as possible, and in terms preschoolers can understand.” Example: It is dangerous to play in the street. ​​​​​​
2. “Rephrase in a positive manner,” as in It is good to play where it is safe.
3. “Rephrase the idea, bearing in mind that preschoolers cannot yet make subtle distinctions and need to be redirected to authorities they trust.” As in, “Ask your parents where it is safe to play.”
4. “Rephrase your idea to eliminate all elements that could be considered prescriptive, directive, or instructive.” In the example, that’d mean getting rid of “ask”: Your parents will tell you where it is safe to play.
5. “Rephrase any element that suggests certainty.” That’d be “will”: Your parents can tell you where it is safe to play.
6. “Rephrase your idea to eliminate any element that may not apply to all children.” Not all children know their parents, so: Your favorite grown-ups can tell you where it is safe to play.
7. “Add a simple motivational idea that gives preschoolers a reason to follow your advice.” Perhaps: Your favorite grown-ups can tell you where it is safe to play. It is good to listen to them.
8. “Rephrase your new statement, repeating the first step.” “Good” represents a value judgment, so: Your favorite grown-ups can tell you where it is safe to play. It is important to try to listen to them.
9. “Rephrase your idea a final time, relating it to some phase of development a preschooler can understand.” Maybe: Your favorite grown-ups can tell you where it is safe to play. It is important to try to listen to them, and listening is an important part of growing.

Mr. Rogers Had a Simple Set of Rules for Talking to Children – The Atlantic

codenamecesare:

I saw some #discourse go by about how adults shouldn’t be in fandom writing about younger characters because it’s uncomfortable and gross to younger people to have adults ‘thinking about them’ in romantic/sexual terms.

1, This is not a restriction that any writers in any other venue have to deal with, wtf, or the entire YA genre would be banished; 2, Excuse you, children of Tumblr, no one is thinking about you.

If other people in fandom are older than you, by definition, they have been your age. When fans write about younger characters, we’re not peering through a keyhole at young people now and creeping on them.

We are drawing on our own experiences, thoughts, feelings and memories of what it was like when we were that age.

No one has the right to ask older writers to cut themselves off from their own past just because young’uns don’t want to acknowledge that people in their 30s, 40s, 50s, 60s, 70s, 80s, 90s, all of them, were also young once. I’m 41, but I remember vividly what it was like to be 14. If I write a high school AU, it’s about my high school experience, even if I were to set it in the present day and decorate it with some (probably comically out of touch) Stuff The Kids Are Into Now. If I write a high school AU with sex, it’s because I remember that too! I’m not thinking about kids today, why would I– I have my own experiences to draw on. And honestly, sometimes there are things about being young that you don’t really understand until you’re much older and have some perspective– and that’s worth writing about.

If someone is genuinely a creeper, you’ll know, because they’ll ask you questions about you. But people who aren’t even directly interacting with you, who are just expressing themselves in fiction, are not a threat to you, and it’s not creepy for them to draw on their own experiences and their own past to write about younger characters.

thewritemoment:

Hey, just in case you need to hear this today:

Just because your work isn’t popular doesn’t mean it’s not important. Just because you feel invisible doesn’t mean you are. Even if it’s only to your friends, you’re visible. Even if they’re the only ones who read it right now, your work is important. I’m sorry you feel that way and it sucks, but your writing isn’t about popularity. Your writing is because you have universes exploding inside you, forcing their way out through your fingertips. Create your own fandoms and fill it with those who love you. And if you’re feeling invisible, reach out to a friend who can let you know that they see you. They see you writing. And they care.